Veo Availability:Supported Video Models

Cinematic highly detailed urban street fashion video. A stylish young woman with long dark hair wearing an oversized bright orange sweatshirt with a graphic print and baggy black cargo pants. She poses confidently in a brutalist urban environment with concrete stairs and modern glass buildings. The sky is overcast providing soft diffused daytime lighting. The video features highly dynamic camera movements including extreme speed ramping fast whip pans and distorted ultra wide angle fisheye lens shots from very low ground angles. The camera rapidly pushes in and pulls out perfectly syncing with a heavy energetic electronic bass music track. She interacts with the camera by bending down towards the fisheye lens crossing her arms and coolly adjusting her dark black sunglasses. Ultra realistic 8k resolution photorealistic textures incredibly lifelike human features highly cinematic motion blur 16 to 9 aspect ratio exactly 10 seconds long with smooth seamless speed transitions.

Warm daylight, open desert landscape and a continuous pullback from the roadside scene.

[STYLE + CAMERA + ATMOSPHERE] Ultra-photorealistic cinematic 15-second action sequence from a grounded ancient adventure film. Nighttime inside a massive sandstone temple complex during a sandstorm. Torch-lit pillars, hieroglyph-covered walls, golden artifacts, and blowing sand. Tense realistic atmosphere with hyper-realistic practical destruction. Camera is handheld-dynamic with motivated moves. [IMAGE REFERENCES] No reference images provided. Generate a fully consistent lead character: a fierce female Egyptian thief in her early 30s, focused expression. She wears dark linen wrappings, leather straps, and gold accents. Maintain exact same appearance and clothing throughout the clip. [TIMELINE SECOND BY SECOND] 0-3s: [Dynamic handheld tracking shot from side-rear] The woman sprints between massive temple pillars as a giant stone statue topples from above. The enormous statue crashes down, sending stone fragments, dust, and artifacts flying in all directions. The camera tracks her urgently as the statue impacts. 3-7s: [Slow continuous orbiting camera moving around the frozen destruction] At the moment the statue hits the ground and shatters, everything freezes in perfect realistic physics. The massive statue pieces, flying stones, and swirling sand clouds hang motionless in the air with accurate weight and trajectories. The camera performs a smooth, continuous orbit around the frozen destruction, moving between large suspended stone sections and passing close to flying artifacts while the woman remains visible. 7-15s: [Dynamic tracking shot as time resumes] At the 7-second mark time snaps back to forward motion with a slight realistic temporal residue. Some outer debris shows a very subtle reverse lag before continuing. The woman has used the frozen moment to sprint and slide under a fallen beam. When motion resumes, several large stone pieces miss her. She stays low and keeps running between pillars as debris finally crashes down. The camera tracks with her through the sand and dust. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, hyper-realistic rigid body destruction with correct material properties (sandstone, gold, linen), perfect frozen mid-air physics, seamless transition from freeze to resume, natural sand and dust interaction, heavy cinematic motion blur on fast debris, stable character performance, movie-level practical destruction VFX quality.

Create a professional cinematic commercial storyboard in 16:9 landscape format, designed like a premium shot list presentation for a LUMIS ECLIPSE ONE premium sunglasses product ad. Overall design: Ultra-premium eyewear art direction, deep cosmic black and midnight purple background, electric violet and chrome accents, LUMIS brand aesthetic — optical precision meets sculptural wearable art, editorial bold minimal layout, sharp geometric modern typography, grid-based storyboard. 15 numbered frames in 5 by 3 grid, each with cinematic image, shot title, and CAM / SFX / MUSIC production notes. Add a top header and bottom guide. Top header: Top left LUMIS L eclipse emblem in violet. Main title in violet and white: "LUMIS ECLIPSE ONE - VOID BLACK" Subtitle: "OPTICS. SCULPTURE. LUMIS." Top center tagline: "Titanium frame. Polarised carbon lens. Hand-finished in Milan. For those who see differently. This is ECLIPSE ONE." Top right specs: "VIDEO SPECS: FORMAT: 16:9 / RESOLUTION: 4K / FPS: 24 / 120 SLOW-MO" Product and style: Main product is LUMIS ECLIPSE ONE sunglasses. Sculptural void black titanium frame with asymmetric silhouette, deep violet polarised carbon lens, chrome LUMIS L emblem at temple, hand-finished titanium hinge, ultra-thin temple arms. Lighting is dramatic — single point light source in dark void, lens catching violet and chrome refractions, titanium edge highlight only. Storyboard frames: 01 Opening Frame. Eclipse One in black suede LUMIS case. CAM: Top-down slow open. SFX: Suede case click. MUSIC: Cosmic silence. 02 Hero Product Shot. Frames flat on black mirror. CAM: Top-down static. SFX: Titanium tap. MUSIC: Single synth. 03 Titanium Frame. Sculptural void black frame macro. CAM: Macro raking edge. SFX: Metal resonance. MUSIC: String enters. 04 Carbon Lens. Deep violet polarised lens macro. CAM: Through-lens macro. SFX: Lens ping. MUSIC: Bassline. 05 LUMIS L Emblem. Chrome L at temple macro. CAM: Macro push-in. SFX: Chrome tap. MUSIC: Beat builds. 06 Hinge Detail. Hand-finished titanium hinge macro. CAM: Macro tilt. SFX: Hinge precise. MUSIC: Rhythm. 07 Lifestyle — Rooftop. Eclipse One worn on city rooftop night. CAM: Low wide lifestyle. SFX: City below. MUSIC: Full beat. 08 Through Lens POV. City seen through violet carbon lens. CAM: Through-lens POV. SFX: Ambient shift. MUSIC: Groove. 09 Fashion Editorial. Worn in high fashion editorial setting. CAM: Side profile. SFX: Studio silence. MUSIC: Build. 10 360 Void Orbit. Frames in cosmic void orbit. CAM: 360° Orbit. SFX: Cosmic whoosh. MUSIC: Drop. 11 Temple Arm Macro. Ultra-thin temple arm extreme. CAM: Extreme static. SFX: None. MUSIC: Sub-bass. 12 Lens Refraction Slow-Mo. Light refracting through lens 120fps. CAM: High-speed light. SFX: Refraction. MUSIC: Snare. 13 Milan Rooftop. Frames on Milan rooftop at dusk. CAM: Wide cinematic. SFX: City dusk. MUSIC: Swell. 14 Final Hero Shot. Frames under single point cosmic light. CAM: Low raking beauty. SFX: Single tone. MUSIC: Chorus. 15 End Frame. Violet "LUMIS ECLIPSE ONE" on void black. CAM: Static. SFX: Fade. MUSIC: Outro. Bottom section — Music Journey: COSMIC SILENCE 0:00–0:03 / SYNTH 0:03–0:08 / GROOVE 0:08–0:16 / BUILD 0:16–0:22 / DROP 0:22–0:28 / FADE 0:28–0:30 Bottom right — Camera Guide: TOP-DOWN / THROUGH-LENS / MACRO / 360° ORBIT / SLOW-MO Visual quality: Ultra detailed, premium sculptural eyewear photography, void black titanium and violet carbon lens, cosmic light precision, Milan craft heritage, wearable sculpture aesthetic, polished fashion-forward campaign quality.

A completely empty city at sunrise, clean streets, quiet apartments, abandoned cafés, traffic lights changing for no one. A single man walks through the city carrying a small radio. The morning light is beautiful but lonely. At the 2-second mark, the radio begins playing an old song. As he walks, transparent memories appear around him: people crossing streets, friends laughing in cafés, children running through fountains, all fading in and out like echoes. The camera follows him in a slow steady shot through wide boulevards and silent intersections. The city feels alive only through memory. Final moment: he places the radio on a bench, walks away, and the memories continue dancing around it. Melancholic urban poetry, soft sunrise, emotional silence, cinematic 4K.

A beautiful stylish Korean woman field scientist, identical appearance throughout: long dark hair tied loosely, safety glasses pushed into her hair, khaki field shirt with rolled sleeves over a fitted tank top, cargo trousers, a utility belt with scientific vials and a flashlight, and a lab coat tied around her waist. Maintain the same face, outfit, proportions, and hairstyle in every shot. LOCATION: An overgrown ruined jungle laboratory with cracked glass specimen tanks strangled by vines, flickering fluorescent tubes, overturned equipment, a shattered observation window revealing jungle mist, and sparking severed cables. CREATURE: A colossal praying mantis, roughly 4 meters tall, with glossy green-and-brown segmented chitin, massive spiked raptorial forearms, a triangular head with large black compound eyes, and twitching antennae moving in sharp insectile jerks. Action (15 seconds, three clear beats, no clutter): (0–5s) The scientist backs between the lab benches with her flashlight as the colossal mantis slowly unfolds from the shadows beside the shattered observation window, its spiked forearms raised and its head tilting toward her. (5–10s) The mantis slams one forearm downward as she dives beneath a steel bench while the spike tears through the metal. She grabs a chemical beaker and hurls it into the mantis's eyes as it rears back screeching in pain. (10–15s) She sprints toward the exit, rips a sparking severed cable from the wall, and jams it against the mantis's leg. Electricity erupts across its body as it convulses violently while she escapes through the doorway as shattered tanks collapse around it. CAMERA (Technical): Beat 1 — Slow controlled push-in on the scientist illuminated by her flashlight, followed by a smooth crane reveal of the unfolding mantis. Beat 2 — Controlled low-angle shot as she dives beneath the bench while the mantis shatters it, followed by a smooth 90-degree arc movement and rack focus onto the chemical splash striking its eyes. Beat 3 — Smooth cinematic tracking shot toward the exit, illuminated by the sparking cable before a slow push-in to a medium close-up of her face. 35mm anamorphic lens, gentle handheld weight, realistic motion blur, smooth fluid 24fps cinematic motion, consistent natural frame rate, no stutter, no dropped frames, no chaotic camera shake, no strobing. LIGHTING: Flickering cold fluorescent key light mixed with green jungle spill, deep cinematic shadows, hot sparking-cable highlights, electric arc accents, and atmospheric haze. COLOR GRADE: Sickly green and teal palette, Kodak Vision3 500T film emulation, subtle 35mm grain, halation, and anamorphic lens flares. Inspired by tense 1980s jungle laboratory creature thrillers. AUDIO: Flickering fluorescent buzz, dripping water, insectile chittering clicks of the mantis, chitin scraping as it unfolds, steel tearing apart, shattering glass, the mantis's piercing screech, electric crackles and zaps from the cable, the scientist's panicked breathing, and a tense low orchestral-synth pulse. VISUAL REQUIREMENTS: Ultra-photorealistic live-action cinematic quality. Maintain consistent character identity and wardrobe throughout. Realistic creature physics, smooth continuous action, authentic lighting interactions, cinematic depth of field, and seamless motion. No animation, cartoons, subtitles, narration, outfit changes, scale inconsistencies, or choppy motion.

A vast mirror-like lake sits in the middle of a silent mountain valley at dawn. The water is perfectly reflective, showing not the sky above but alternate versions of the landscape: cities that do not exist, forests that have not grown yet, ruins from futures that may never happen. Opening frame: slow aerial descent toward the lake surface. Mist moves gently across the water. The real mountains above are cold and grey, but their reflection is filled with impossible golden architecture. At the 2-second mark, the reflection moves before the real world does. A future version of a person appears under the water, walking upside down beneath the surface. Then dozens of future selves appear ,older, younger, wounded, joyful, faceless , all moving in different directions beneath the lake. The camera descends through the water surface without a splash, entering the reflected world. Underwater, there is no water ,only an inverted valley where time flows in visible currents. Memories fall from the sky like leaves. Roads grow out of people’s shadows. Mountains slowly turn into buildings, then back into mountains. VFX escalation: the different futures begin colliding. A futuristic city rises through an ancient forest. A ruined bridge repairs itself while simultaneously collapsing. The lake surface above fractures like glass, revealing the real world watching from the other side. Velocity ramp: a future self reaches toward the camera ,time slows as their hand breaks into thousands of reflective shards, each shard showing a different life. Final moment: the camera rises back above the lake. The surface is still again. Only one word appears as ripples across the water: CHOOSE. Experimental time-reflection cinema, mirror water physics, alternate futures, surreal temporal landscapes, dawn mist, cinematic poetry, 4K.

• Style: Avatar-scale fantasy jungle. Hyper-realistic - no CGI gloss, no game-engine look. • Cinematography: Single continuous take, wide lens, GoPro-on-creature intimacy. • Lighting: Golden god-rays through canopy, rainbow through waterfall mist. • Action: 15s soaring flight - butterflies, waterfall skim, razor-narrow gap, full world reveal.

古风美人立于红柱宫廊，绾发金步摇珠串垂落，绛红描金广袖汉服内搭白衣，右手执山水折扇，左手轻拈一枝白梅，侧首望向廊外；背景金色夕照、银杏叠瓦、远山宫宇、雨后湿石地倒影、落叶纷飞。

FORMAT: 16:9 cinematic storyboard presentation, 1920×1080, ultra-detailed high-resolution STYLE: Hyper-realistic YouTube livestream horror, premium storyboard infographic, cinematic found-footage realism, dark documentary aesthetic PROJECT: PARIS CATACOMBS LIVESTREAM TITLE: “LIVE EXPLORING PARIS CATACOMBS (NOT CLICKBAIT)” DURATION: 15 Seconds LAYOUT: 5 large cinematic storyboard frames in top row Technical breakdown panels in bottom row Black premium background Thin white borders Red YouTube LIVE accents Minimal professional production-board layout ──────────────────── FRAME 01 (0:00–0:03) STREAM STARTS Wide handheld selfie shot. Streamer walking through narrow Paris catacombs tunnel. Walls built from skulls and bones. Headlamp and flashlight are only light sources. YOUTUBE UI OVERLAY: LIVE ● Viewers: 18,492 Chat visible on right side CHAT: “bro this is illegal” “turn back” “no way this is real” CAMERA: Handheld selfie cam Slight shake VISUAL: Wet stone walls Skulls Dark tunnel depth ──────────────────── FRAME 02 (0:03–0:06) DEEPER INSIDE Rear-facing camera. Tunnel becomes tighter and more claustrophobic. Streamer scans walls using flashlight. DIALOGUE: “Guys… I don’t think tourists come here.” CAMERA: Sony A7S III low-light look Shaky tracking shot VISUAL: Bones everywhere Moisture on walls Water puddles ──────────────────── FRAME 03 (0:06–0:09) CHAT NOTICES SOMETHING Streamer pans camera. Nothing visible to him. Chat suddenly floods rapidly. CHAT: “WAIT” “WHO IS THAT” “BRO BEHIND YOU” “RUN” CAMERA: Fast pan Digital compression artifacts VISUAL: Bitrate drop Glitch tearing Audio waveform distortion ──────────────────── FRAME 04 (0:09–0:12) ENTITY APPEARS Camera slowly turns toward deep tunnel. Far away: Tall pale humanoid figure. Standing completely motionless. No visible face. Unnaturally long limbs. CAMERA: Slow digital zoom Compression noise VISUAL: Flashlight flicker Deep darkness Entity silhouette ──────────────────── FRAME 05 (0:12–0:15) STREAM ENDS Entity suddenly much closer. Impossible movement. Streamer screams. Camera drops sideways. Final frame: Entity crouching near fallen camera. YOUTUBE UI: SIGNAL LOST STREAM ENDED VISUAL: Static noise Broken stream frame Corrupted pixels ──────────────────── KEY VISUALS: - Catacomb skull walls - YouTube live UI - Chat overlay - Flashlight beam - Compression artifacts - Pale humanoid entity - Moist tunnel reflections - Broken stream signal CAMERA STYLE REFERENCE: - IRL YouTube livestream - GoPro + Sony low-light footage - Found footage horror - Handheld realism - Sensor noise - Rolling shutter artifacts LIGHTING: - Headlamp beam - Flashlight spill - Cold blue shadows - Black void darkness - Moisture reflections - Flickering light COLOR PALETTE: Deep Black Bone White Wet Stone Gray Cold Blue Emergency Red AUDIO REFERENCE: - Dripping water - Heavy breathing - Footsteps - Chat notification pings - Digital glitch distortion - Sudden silence IMPORTANT NOTES: - Must feel REAL, not cinematic-polished - Zero supernatural glow - Entity should be subtle and terrifying - Horror comes from realism - Authentic livestream imperfections required TONE & ENERGY: Claustrophobic Unsettling Viral horror Psychological dread Realistic panic OUTPUT: Premium horror livestream storyboard Feels like a real viral YouTube stream gone horribly wrong

STYLE: photoreal cinematic, 8K, ultra-detailed, high-budget epic fantasy film look. Natural skin / stone / bark / iron / leaf / cloth textures with pore-and-grain micro-detail, macro texture on grass, soil and dew, real organic film grain, strong motion blur on fast moves, filmic dawn grade. Diegetic SFX only, no music. REFERENCE LEGEND: <<<image_1>>> = dawn grass field below a white-and-gold spired elven citadel on a misty grey mountain, low sun flaring screen-right (img 1) <<<image_2>>> = blonde elven warrior, silver-and-gold leaf-filigree armor, pale-blue cape, elven longsword — appearance reference for the HERO elf only (img 2) <<<image_3>>> = massive dark grey-green orc, battered black-iron plate, tusks, amber eyes (img 3) <<<image_4>>> = forest/plant warrior, carved wooden face, glowing amber eyes, orange flower-petal mane, green leaf mantle, vine-wrapped spear + glowing amber-cored shield (img 4) <<<image_5>>> = STONE warrior — humanoid built from grey moss-flecked boulders, craggy carved face, pale glowing eyes, rope belt, chipped raw-stone sword (img 5) SCENE CONTEXT: an epic large-scale battle of an elven army against an orc horde on the dawn grass field below the white-gold citadel. Told in four cuts: a roaring orc, a continuous FPV-drone dive from the giant battle down to a tiny ground-level battle hidden in the grass, the elven hero swordswoman cutting through orcs, then a grand super-wide of the whole clash. ACTIVE REFERENCES: <<<image_1>>>: green grass field rising to the white-and-gold spired elven citadel on a misty grey mountain, low dawn sun flaring screen-right, drifting haze. 100% matches. <<<image_2>>>: appearance reference for the HERO elf swordswoman ONLY (the one seen close-up in CUT 3) — blonde, silver-and-gold leaf-filigree armor, pale-blue cape, fighting only with an elven SWORD (no bow, no arrows). The rest of the elven army is VARIED — both men and women, different faces, hair colors, builds, armor styles and capes, each elf UNIQUE, NOT copies of <<<image_2>>>. 100% matches for the hero only. <<<image_3>>>: massive grey-green orcs in dark battered black-iron plate, tusks, amber eyes, heavy weapons — each orc UNIQUE. 100% matches. <<<image_4>>>: forest/plant warriors, carved wooden faces with glowing amber eyes, orange flower-petal manes, green leaf mantles, bark skin, vine-wrapped spears and glowing amber-cored shields — each one slightly UNIQUE. 100% matches. <<<image_5>>>: STONE warriors woven from grey moss-flecked boulders, craggy carved faces, pale glowing eyes, rope belts, chipped raw-stone swords — each one slightly UNIQUE. 100% matches. SCALE LOCK: in CUT 2 at ground level the plant and stone warriors are TINY — each about the size of a human palm, miniature soldiers fighting among and half-hidden by towering blades of grass. The elves and orcs are full-size GIANTS by comparison, as tall as four humans stacked head to toe relative to the grass; down low only their massive legs, feet and stomping boots tower above and crash near the tiny armies. FORMAT MODE: SEQUENCE OF CUTS — CUT 1 … CUT 2 … CUT 3 … CUT 4, described in order. Cuts only at the specified points; the camera does not cut on its own. CUT 2 is itself one continuous free-flying FPV-drone take. OPTICS: CUT 1 — 18° tight portrait on the orc, shallow focus. CUT 2 — opens ~84° wide for scale and speed, tightening to ~47° weaving through the fighters, then macro ~18° at ground level among the grass (deep focus high, shallow macro focus low). No drift mid-segment. CUT 3 — 47° neutral medium following the hero elf, shallow-ish focus separating her from the orcs. CUT 4 — 107° architectural ultra-wide, deep focus. CAMERA: CUT 1 — locked tight handheld, eye-level, micro-tremor, holding on the orc's face. CUT 2 — aggressive, weightless, dynamic FPV-drone. Open on a wide SIDE view: a VARIED elven army (men and women) charging from screen-LEFT, orcs charging from screen-RIGHT, the two lines rushing together across <<<image_1>>>, citadel and dawn sun behind. The drone flies fast and low THROUGH the middle of the clash, weaving and banking between colliding elves and orcs, dodging swinging swords, then whips downward and punches between the TALL grass blades to the soil, where out-of-focus grass blades sweep across the foreground and a tiny ground-level battle is half-hidden in the grass. CUT 3 — fluid tracking move orbiting with the elven hero swordswoman, eye-level, following her blade. CUT 4 — slow high crane pull-back revealing the full battlefield, citadel and mountain screen-right-back. ACTION: CUT 1 — extreme tight on <<<image_3>>>: the orc throws its head forward and ROARS in fury, jaw wide over the tusks, amber eyes blazing, neck veins bulging, spit and breath-fog bursting toward camera. CUT 2 — up top the giant armies collide: VARIED elven swordsmen and swordswomen trade blows with orcs across the line, swords ringing. As the drone dives into the grass, a TINY ground-level battle is revealed, half-concealed by towering grass blades — a small army of plant/forest warriors (<<<image_4>>> type) charging from screen-LEFT clashing with a small army of STONE warriors (<<<image_5>>> type) from screen-RIGHT: plant warriors lunging and thrusting vine spears, stone warriors parrying and counter-swinging heavy stone swords, leaves and amber embers scattering, stone chips flaking, while enormous orc and elf feet pound the earth nearby, near-missing them. Tall out-of-focus grass keeps sweeping across the foreground. CUT 3 — <<<image_2>>> the elven hero swordswoman moves through the orc ranks at speed, blade flashing: she parries an orc's heavy chop, spins past it and cuts it down, then drops a second charging orc with a clean diagonal slash, cape streaming. Sword only. CUT 4 — super-wide grand view: the two giant armies fully engaged across the dawn field, hundreds of varied elves and orcs clashing in a massive-scale battle, dust and haze rolling, the white-gold citadel and rising sun screen-right-back. PHYSICS: realistic momentum and weight. Giant footfalls send tremors, bursting dust and dew droplets at macro scale; tall grass blades whip, bend and brush the lens in the drone's wake; stone warriors move with heavy grinding mass, plant warriors fast and agile with weighty organic creak; the hero elf moves light and fluid, cape and braids carrying inertia. Mass has weight, correct contact shadows, no teleporting poses. LIGHTING: cinematic dawn from <<<image_1>>> — warm low backlight and sun flare screen-right, soft mist rolling down the mountain at ~40% density. CUT 1: hard low key on the orc's right side, half the face in shadow. CUT 2: sun glints through the tall wet grass at ground level, giant legs casting moving shadows over the tiny armies, plant warriors' amber glow and stone warriors' pale eye-glow reading against shadowed soil; bright blurred battle bokeh above. CUT 3: warm rim light catching the hero elf's filigree armor and blade. CUT 4: volumetric god-rays through the haze across the whole field. White balance 5000K. COLOR: cold steel-grey orc iron and stone against warm dawn-gold light; the plant warriors' orange petals and amber cores glowing warm; the varied elven armor catching the low sun in silvers, golds and pale blues; green grass deep and wet, soil dark and shadowed. AUDIO (SFX only): CUT 1 — guttural roaring war cry, wet breath. CUT 2 — thundering charge, clashing steel and sword rings, thundering giant footsteps overhead, and down in the grass the massed clashes of tiny weapons, stone grinding, creaking wood, scattering leaves, bursting dew, wind through tall grass. CUT 3 — fast steel clashes, orc grunts, cape snap. CUT 4 — vast roaring battle wash. No music. POSITIVE LOCKS: - Four cuts in order: roaring orc → FPV-drone dive into the grass → hero elf cutting down orcs → grand massive-scale super-wide. Cuts only at the specified points; the camera does not cut on its own. - The elven army is VARIED — men and women, different faces, hair, builds and armor; only the HERO swordswoman in CUT 3 matches <<<image_2>>>. Elves fight only with SWORDS — no bows, no arrows, no archers anywhere. - At ground level it is TWO TINY ARMIES, not a duel: plant/forest warriors (<<<image_4>>> type) on the LEFT versus STONE warriors (<<<image_5>>> type) on the RIGHT, fighting among and half-hidden by towering grass, with tall grass blades across the foreground, while giant orc and elf legs fight and stomp above. - Each orc, each elf, each tiny warrior is unique. Citadel, sun direction, dawn light identical across all cuts. - CUT 4 is a massive-scale battle with hundreds of fighters. Dynamic motion throughout, stable readable picture, no ghosting, no flickering.